Camilla Brison graduated in Cultural Heritage at the University of Milan and the Université de Nîmes (Erasmus Programme). Since 2013 she holds a Master of Arts in Advanced Theatre Practice at the Royal Central School of Speech and Drama of London. In 2022 she attended the Film Production course at the Civica Scuola di Cinema Luchino Visconti in Milan.

In 2022 she directs with Marina Hanganu 2032 Smart-Family, a telematic show realised in collaboration with the George Ciprian Theatre (Romania) and co-financed by the Creative Europe programme of the European Union.
In 2021 she debuts at Romaeuropa Festival with Notte Bianca, by Tatjana Motta, text winner of the Premio Riccione 2019 and project winner of the Premio di Produzione 2020.

In the same year she joined the Beyond the Sud programme, an exchange of artists from Italy, Greece, Uruguay, Argentina and Chile from which he created, together with Nicolás Lange, the show Archipelagos.

In 2020, she debuted with No land lady by Greta Cappelletti at Anni Luce, RomaEuropa Festival, a show that was already a finalist in the Young Directors Under 30 call for entries of the Venice Biennale and winner of the Cura 2020 call.

As a director, she has also directed Una Marchesa ad Assisi by Ippolita Baldini and Emanuele Aldrovandi, 3 Novembre and Sterili by Maria Teresa Berardelli, this last winner of the 2009 Riccione Tondelli Prize, and Vuoti di Memoria by Laura Tassi, Greta Cappelletti and Lorenzo Piccolo.

As assistant director, she has worked for: Il Macello di Giobbe (The Slaughter of Job) by Fausto Paravidino, La vita Ferma by Lucia Calamaro, Queen Lear by Nina's Drag Queens, Per il tuo Bene (For Your own Good) by Pier Lorenzo Pisano. 

As a translator into Italian her works include Kif Kif by Pietro Pizzuti, George Kaplan by Frédéric Sonntag and Sicily and Tunisia by Clyde Chabot, all from French. From English she translated Lessons Sweet and Honourable by Edward Fortes and Angry by Philip Ridley. From Spanish she translated Archipelagos and from Romanian 2032 Smart Family.

From 2012 to 2015 she was a member of the Reading Committee and the CRISI workshop led by Fausto Paravidino. She was a selection commissioner for the 53rd and 54th editions of the Riccione Theatre Prize.
After a 2018 research period under the mentorship of Maison Antoine Vitez of Paris and thanks to a grant from the Lazio region, in 2019 she created Italy Uncovered - new plays from Italy, a festival of contemporary Italian dramaturgy in London, together with Edward Fortes and Anna Landi.

Since 2019 she has been working for Emons Libri&Audiolibri as audiobook director. 

In addition to Italian, she speaks English, French, Spanish and Portuguese.